|
|
|
Giovanni Lanfranco Giovanni Lanfranco, Resurrection Giovanni Lanfranco, Resurrection, 1622
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Lighting display pipa player and two men playing anvil as percussion instruments. mk270 a 15th centuty illumination showing a lute player and two men playing the anvil as a percussion instrument.
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Lute curriculum has five strings and 10 frets mk270 thi early 16th century ltalian lute has five courses of strings and ten frets.
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco This Guoqin curriculum has six strings, there is one of the five kinds of match. mk270 the lute is instantly recognizable by its characteristic swelling pear shaped body and flat belly. this lute has six courses of strings, five of which are paired.
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Mary Magdalen Raised by Angels c. 1616
Oil on canvas
109 x 78 cm
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Christ Served by Angels c. 1616
Oil on canvas
100 x 126 cm
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Norandino and Lucina Discovered by the Ogre 1624(1624)
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Venus Playing the Harp 1630-34
Oil on canvas
214 x 150 cm
cjr
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Venus Playing the Harp between 1630(1630) and 1634(1634)
Medium Oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Giovanni Lanfranco Moses and the Messengers from Canaan oil on canvas, 85-3/4 x 97 inches, at the J. Paul Getty Museum, Los Angeles
Date 1621-1624
cyf
|
|
|
|
|
|
|
|
1 | |
|
|
Giovanni Lanfranco
|
(26 January 1582 - 30 November 1647) was an Italian painter of the Baroque period.
Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.
|